Narrow Bay Ferry Company
One name for three boats and two piers
A new identity, livery and wayfinding system for a family-run ferry line that had grown from one boat to three, each with its own name, colours and timetable.

Narrow Bay Ferry Company started in 1978 with one boat and a hand-painted sign on the pier. By 2025 it ran three boats, bought one at a time from other operators, and each had kept the name and colours it arrived with. Passengers asked the ticket office which ferry was theirs, and the answer was usually “the blue one”.
The owners came to us wanting a new logo. The brief we wrote together was different: make it obvious, from the car park, which boat leaves next and where to stand for it.
Riding every crossing
Tomas and Marta spent the first two weeks on the boats. They rode each route at the morning peak, at midday with tourists and on the last crossing of the evening, and photographed every point where a passenger had to decide something: which queue, which ramp, which deck, which exit.
That survey found 74 decision points and 31 different sign styles. Some had been put up by the line, some by the harbour authority, and a few by passengers who had given up waiting for someone else to do it.
One company, three numbers
The naming question was the hardest part of the project. Each boat had regular passengers who liked its name. But three names meant three colour schemes on the timetable, and the timetable was where most of the confusion started.
We recommended one name, Narrow Bay, and boats known by large numbers: 1, 2 and 3. The old names stayed on a small plate by each gangway, which settled most objections from the crew.
The test for the hull numbers was simple: can you read them from the opposite pier, 400 metres away, in fog?
Signs that survive salt
Marine signs fail in two ways: they fade, and their fixings rust. We specified every sign in marine-grade aluminium with stainless fixings, and chose colours from the most fade-resistant pigments our fabricator offered, which ruled out two of the oranges we liked best.
The pictograms were drawn for the boat first and the pier second. A passenger reading a sign on a moving deck has about two seconds, so each pictogram uses one figure, one object and no more than one arrow.
What changed
The ticket office reports that “which boat is mine” is no longer the most common question; it is now “where do I buy a ticket”, which tells us where the next sign should go. The second phase, starting in 2027, covers the ticket office and the website.
How the project ran
22 weeks, 5 phases
Brief and survey
Weeks 1–2
Rode every crossing at peak and off-peak times. Photographed 74 decision points on the piers and boats.
Naming and strategy
Weeks 3–4
Agreed to drop the three boat brands and run one company name, with boats known by number.
Design routes
Weeks 5–8
Three routes shown full-size on a borrowed bow section and a pier totem mock-up.
Signs and pictograms
Weeks 9–15
Drew the pictogram set, specified 9 sign types and tested them with passengers on the morning crossing.
Fabrication and install
Weeks 16–22
Fabricator tender, two rounds of samples, and installation during the winter timetable.


What we made
- Name architecture: one company name, boats named by number
- Logo, livery and colour system for hull, deck and crew uniforms
- Sign family of 9 types, from pier totems to seat-row numbers
- 38 pictograms, including 6 safety signs reviewed by the line’s safety officer
- Timetable poster and fold-out timetable, reset in the new type
- Fabrication drawings and installation check at both piers
Credits
- Tomas Ferro
- Founder, design director
- Marta Silva
- Designer, type and illustration
- Ines Wren
- Founder, creative director
- Dele Brooks
- Producer